Early in March I drove through Asheville, NC. I was totally smitten with the silos in Asheville’s River Arts District—especially the graffiti-covered one near the French Broad River—have become unofficial landmarks, blending industry with street art. Once used for storage, they now serve as massive canvases that reflect the city’s creativity and evolving identity.
There’s a striking irony in graffiti artists transforming silos—structures often used as metaphors for isolation, division, and separation—into shared canvases for collective expression. In their original function, silos store things apart, compartmentalized and sealed off, much like the way "siloed thinking" limits collaboration. What once symbolized separation now fosters connection—a public dialogue in spray paint, turning isolation into community.Thursday
Saturday
Telephone
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| Airborne 08/2020 |
A year ago, while in the throws of the pandemic, I was looking to fill my creative bucket when I happened upon an art opportunity on an Art & Opportunities page. It was a call to participate in game of telephone between artists.
Much to my delight I was sent a poem, I See A Darkness, to read and create a visual response. When I was given the poem, I was not given the authors name, which I now know is Calyn Kelly from Eugene Oregon. My artwork would then be sent on to an artist for creative interpretation and so on...
Today, April 10th, the Telephone exhibition is revealed! 900 artists, 493 cities and 72 countries! I am so thrilled to have been a part of this palatial undertaking! Visit the site and enjoy the cacophony of music, poetry, art and dance, creative exuberance that is the result of the Telephone Game!
The game whispered around the world, Telephone.









